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Einrichtungen >> Philosophische Fakultät und Fachbereich Theologie (Phil) >> Department Anglistik/Amerikanistik und Romanistik >> Institut für Anglistik und Amerikanistik >>
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Lehrstuhl für Amerikanistik, insbesondere Literaturwissenschaft (Prof. Dr. Kley)
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American Drama: Stage & Screen [AE_HSADRM] -
- Dozent/in:
- Karin Höpker
- Angaben:
- Hauptseminar, 2 SWS
- Termine:
- Mo, 18:00 - 19:30, C 301
- Voraussetzungen / Organisatorisches:
- Das HS Literature kann wie folgt verwendet werden:
L-GYM Englisch: "Hauptmodul L-Gym Literature"
BA English and American Studies: "Hauptmodul A Literature" mit begleitender Independent Study Group
BA American Studies: "Hauptmodul A Literature/Culture" mit begleitender Independent Study Group
MA North American Studies - Literature: 5, 8
MA North American Studies - Culture: 4, 7
MA The Americas/Las Américas: Modul 4
MA English Studies: "Freie Ergänzungsstudien/Wild Card": Wie Aufbaumodul, mit begleitendem Kurs
- Inhalt:
- This course focuses on the close interrelation of stage and screen that informs US American dramatic production since the late 1940s. It provides an overview of American literary tradition throughout the 20th and 21st century and tracks its transatlantic aesthetic history. Students will explore the intertextuality and specific medialities of stage and screen production.
How does dramatic form change when adapted for the screen, and how is filmic form impacted by dramatic material written for stage productions? How did Hollywood adaptations change percepts of dramatic performance, and how did the fluctuation of authors between stage and screen leave its mark? And to what extent do stage-on-screen productions or films set in theatrical contexts such as J. Mankiewicz’s All About Eve (1950) or Alejandro G. Iñárritu’s Birdman (2014) address issues of mediality?
Class reading and viewing ranges from Tennessee Williams’ classics Cat on a Hot Tin Roof and A Streetcar Named Desire, Edward Albee’s Who’s Afraid of Virginia Woolf, and the readaptation of Lillian Hellman’s The Children’s Hour(1961) to Woody Allen’s recent reengagement with theater and classical Hollywood in films such as Blue Jasmine (2013) and Wonder Wheel (2017). Texts such as Walter Benjamin’s Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit, Peter Szondi’s Theorie des modernen Dramas, and Susan Sontag’s “Film and Theater“ will provide a theoretical framework for discussion.
- Empfohlene Literatur:
- A preliminary syllabus and reading/viewing list will be made available on StudOn.
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AS Literature [AE_ASLIT8] -
- Dozent/in:
- Karin Höpker
- Angaben:
- Aufbauseminar, 2 SWS, LAFV, LAFN, Bachelor
- Termine:
- Di, 18:00 - 19:30, C 301
- Voraussetzungen / Organisatorisches:
- Das Aufbauseminar Literature gehört in folgenden Studiengängen jeweils zu folgenden Modulen:
keine Zulassungsvoraussetzung; empfohlen nach dem Besuch des Grundseminars Literature
- Inhalt:
- Building on the Grundseminar Literature, this class will introduce students to basic concepts of literary theory and provide a historical survey over its rise, developments, and controversies. We will discuss various approaches in depth and investigate how they impact our understanding of literature and our reading of primary texts.
- Empfohlene Literatur:
- Please make sure to acquire a copy of F. Scott Fitzgerald's The Great Gatsby (Penguin), which you need to have read by the first week of the semester, as well as a copy of Lois Tyson's Critical Theory Today: A User-Friendly Guide (Routledge), which we will read and discuss throughout the semester.
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Dangerous Reading [AE_PSDNGR] -
- Dozent/in:
- Maria Kaspirek
- Angaben:
- Proseminar, 2 SWS, Gender und Diversity, LAFV, LAFN, Bachelor
- Termine:
- Mi, 16:15 - 17:45, KH 1.013
Einzeltermine am 9.5.2018, 30.5.2018, 6.6.2018, 16:15 - 20:00, KH 1.013
- Voraussetzungen / Organisatorisches:
- Diese Veranstaltung findet in der Regel wöchentlich, an einigen Tagen jedoch geblockt, statt. Die Blocktermine sind für den 9.5.2018, 30.5.2018 und 6.6.2018 (s.o.; jeweils 16-20 Uhr) festgelegt.
Ausfallen werden folgende Termine: 27. Juni 2018, 4. Juli 2018, 11. Juli 2018.
Das PS Literature kann wie folgt verwendet werden:
L-UF Englisch (neu): "Zwischenmodul Literature" (Zulassungsvoraussetzung: Elementarmodul Literature)
L-GYM Englisch (neu): "Zwischenmodul Literature" (Zulassungsvoraussetzung: Basismodul Literature)
BA English and American Studies (neu): "Zwischenmodul II Literature" (Zulassungsvoraussetzung: Zwischenmodul I: Thematisches Kombinationsseminar)
BA American Studies: "Zwischenmodul II Economics, Linguistics, History, Geography, Literature/Culture - Veranstaltung mit Nordamerika-Bezug"
- Inhalt:
- From the 18th century onwards, advanced printing techniques and a growing literacy revolutionized the literary market in Europe and America. However, the rise of the novel and its predominantly female readership attracted the attention of critics – politicians, physicians, reformers, writers – who identified the “lesesucht” or “novel mania” as a phenomenon threatening social order and morality.
Focusing on the US, this course will trace the debate on immoral and dangerous books and readers from the 18th to the late 19th century.
What was regarded as “good” (useful, appropriate) reading and what counted as “bad” (immoral) reading? Why was “novel reading” especially dangerous for women? Which genres were the most divisive ones? How were American writing and reading habits viewed as corrupted by European influences? We will look at some novels classified as dangerous, discuss the criticism surrounding them, and put them in a broader social context.
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KS Linguistic Variety and Cultural Difference [AE_KSLVCD] -
- Dozentinnen/Dozenten:
- Karin Höpker, Brigitta Mittmann
- Angaben:
- Kombiseminar, 4 SWS
- Termine:
- Di, 16:15 - 17:45, A 603 (Bismarckstr. 1)
Mo, 8:15 - 9:45, C 303
- Voraussetzungen / Organisatorisches:
- Das Kombiseminar gehört zu folgendem Modul:
Zulassungsvoraussetzung: bestandene GOP
Scheinerwerb: mündliche Prüfung
- Inhalt:
- The linguistic part of this course provides an introduction to varieties of English, focussing on regional and social variation in the UK and the US. Topics include methods of dialectology, speech communities and social networks, language variation and gender, bi- and multilingualism, diglossia, code-switching, language change, attitudes to language variation, and language and power.
The literary and cultural studies part provides an introduction to concepts and categories of (cultural) difference such as race, gender, sexuality and class. Constructions of difference will be analyzed in the realm of cultural production including literature, film, and popular culture.
- Empfohlene Literatur:
- Study materials will be made available on StudOn.
Please acquire and read in advance: Twain, Mark. The Adventures of Huckleberry Finn. Penguin.
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